Study on the Visual Meanings of Handprints on Cave WallsAnalysis


Abstract views: 217 / PDF downloads: 52

Authors

DOI:

https://doi.org/10.5281/zenodo.10334944

Keywords:

Hand, Visual, Cave Paintings

Abstract

The human being who lived in the prehistoric age plays the leading role in the visual expression process. He expressed himself by visualizing what he saw in his mind and contributed to the construction of future generations. Research on the use of visuals in narrative is based on images in prehistoric rock art. Rock paintings containing painted images, known as cave period rock art, are images that carry important clues about the conditions and daily life of that period. In addition to the geometric shapes and hunting scenes on the cave walls, another striking element is the 'hand' symbol. The subject of the research is the methods used in painting the handprints left by primitive people on cave walls, rock shelters and open-air rocks in various parts of the world, and their meanings. The aim of the research is to investigate and examine the hand images on the cave walls. Research designed in scanning technique, it is limited to the Leang Tedongnge Cave on the Indonesian island of Sulawesi, where handprints are abundant, the Cueva De Las Manos Cave in Argentina, which has similar images, El Castillo Cave in Spain, Pech Merle Cave and Altamira Cave. It is among the assumptions that the handprints depicted in many caves create the perception of dominance, and that the perception of dominance is accompanied by religious and ceremonial purposes.

References

Atalay, C. & Süle, E. (2019). Paleolitik Dönem ve Chauvet Mağarası'nın Son Odasındaki Aslan Panelinin Estetik Yapısına Dair Bir İnceleme. Ulak Bilge Sosyal Bilimler Dergisi, 738.

Çetin, H.T. (2018). Resimde Eleştiri Biçimi Olarak Eller. Yüksek Lisans Tezi, Hacettepe Üniversitesi Güzel Sanatlar Enstitüsü, Ankara.

Dobrez, P. (2013) “The Case for Hand Stencils And Prints as Proprio-Performative” Arts 2(4):273-327; https://doi.org/10.3390/arts2040273

Erkan, S. (2012). Beden Dili ve Dans Eğitiminin Oyunculuk Sanatındaki Yeri Üzerine Bir Yöntem Önerisi. Doktora Tezi. Dokuz Eylül Üniversitesi Güzel Sanatlar Enstitüsü, İzmir.

Ertuğrul, E. (2015). Tarih Öncesi Dönemden 11 Mağara Sanatı. https://arkeofili.com/tarih-oncesi-donemden-11-magara-sanati/

Hollingsworth, M. (2019). Dünya Sanat Tarihi. İstanbul: İnkılap Yayınları.

Özdemir, Ç.S. (2014). Resim Sanatında El İmgesinin Farklı Anlam ve İfade Biçimleri. Anadolu Üniversitesi Güzel Sanatlar Enstitüsü. Yüksek Lisans Tezi, Eskişehir.

Özdemir, M. (2021). Mağara Resimleri Bize Ne Anlatır? Paleolitik Çağ Mağara Resimleri Bağlamında Tarih Öncesi İnancına İlişkin Bazı Sorgulamalar. Tarih ve Gelecek Dergisi 7: 825-843

Özden, L. (2009). Gizli Dehlizlerden Kent Alanlarına Dışavurum Yüzeyi Olarak Duvar. Sanat ve Tasarım Dergisi,1 (3)71-85.

Permana R., Pojoh I. ve Arifin K. (2017) Mabedda Bola ritual in South Sulawesi The relationship between handprints in traditional houses and hand stencils in prehistoric caves. Wacana Vol. 18 No. 3: 692-717

Pettersson, R. (2003). The 35th Annual Conference of the International Visual Literacy Association. Newport, Rhode Island, USA, October 1 – 5,

Toksoy, S. (Çev.)(2014). Kökenleri ve Anlamlarıyla Semboller & İşaretler. İstanbul: Alfa Yayınevi.

Uysal, G.(2011). Mağara Sanatı. V. Ulusal Speleoloji Sempozyumu. S.34-47.

www.arthipo.com/artblog/sanat-tarihi/magara-sanati-tarih-oncesi-sanat-magara-resimleri.html

https://www.researchgate.net/publication/291137009_Cave_Art_Magara_Sanati

https://ahmetustanindefteri.blogspot.com/2015/05/insanin-ilk-el-izleri-Castillo-Perch-Merle.html Erişim Tarihi 13.12.21

https://www.researchgate.net/publication/322766778_Mabedda_Bola_ritual_in_SouthSulawesi_The_relation_of_handprints_in_traditional_houses_and_hand_stencils_in_prehistoric_caves Erişim Tarihi 13.12.21

https://whc.unesco.org/en/list/936 Erişim Tarihi 13.12.21

https://www.researchgate.net/figure/Leang-Sakapao-hand-stencils-Sulawesi-Indonesia_fig10_259979235 (Görsel 1) Erişim Tarihi 28.12.21

https://arkeofili.com/wp-content/uploads/2021/10/sulaw2.jpg (Görsel 2) Erişim Tarihi 28.12.21

https://www.researchgate.net/publication/322766778_Mabedda_Bola_ritual_in_South_Sulawesi_The_relation_of_handprints_in_traditional_houses_and_hand_stencils_in_prehistoric_caves (Görsel 3 ve 4) Erişim Tarihi 28.12.21

https://ahmetustanindefteri.blogspot.com/2015/05/insanin-ilk-el-izleri-Castillo-Perch-Merle.html (Görsel 5 ve 6) Erişim Tarihi 13.11.23

https://en.wikipedia.org/wiki/Cueva_de_las_Manos#/media/File:SantaCruz-CuevaManos-P2210651b.jpg (Görsel 7) Erişim Tarihi 13.12.21

https://sworld.co.uk/2/63329/photoalbum/home.html (Görsel 8) Erişim Tarihi 13.12.21

Görsel Kaynakça

Görsel 1. https://arkeofili.com/wp-content/uploads/2021/10/sulaw2.jpg

Görsel 2. https://www.researchgate.net/figure/Leang-Sakapao-hand-stencils-Sulawesi- Indonesia_fig10_259979235

Görsel 3. https://www.researchgate.net/publication/322766778_Mabedda_Bola_ritual_in_South_Sulawesi_The_relation_of_handprints_in_traditional_houses_and_hand_stencils_in_prehistoric_caves

Görsel 4. https://www.researchgate.net/publication/322766778_Mabedda_Bola_ritual_in_South_Sulawesi_The_relation_of_handprints_in_traditional_houses_and_hand_stencils_in_prehistoric_caves

Görsel 5. https://ahmetustanindefteri.blogspot.com/2015/05/insanin-ilk-el-izleri-Castillo-Perch-Merle.html

Görsel 6. https://en.wikipedia.org/wiki/Cueva_de_las_Manos#/media/File:SantaCruz-CuevaManos-P2210651b.jpg

Görsel 7. https://sworld.co.uk/2/63329/photoalbum/home.html

Görsel 8. https://ahmetustanindefteri.blogspot.com/2015/05/insanin-ilk-el-izleri-Castillo-Perch-Merle.html

Görsel 9. https://arkeofili.com/altamira-magarasinda-uc-yeni-el-izi-bulundu/

Published

2023-12-25

How to Cite

Çelik, H., & Mant Menay, S. (2023). Study on the Visual Meanings of Handprints on Cave WallsAnalysis. Atlas Journal, 9(52), 24–33. https://doi.org/10.5281/zenodo.10334944

Issue

Section

Articles