Experimental Ex Libris Workshop
DOI:
https://doi.org/10.5281/zenodo.21984396Keywords:
Painting, Original Print, Ex Libris, Experimental Art, Waste Materials, Sustainable ArtAbstract
This study aims to evaluate the ex-libris works produced within the scope of the Experimental Ex-Libris Workshop in terms of the suitability of the waste materials used for original printmaking techniques and their contributions to visual expression. During the workshop, waste materials with different characteristics generated from original printmaking practices were experimentally incorporated as printing matrices and auxiliary surface elements. The effects of these materials on texture, surface character, print impressions, and technical applications were examined through the works produced during the workshop.
The findings indicate that, unlike conventional printmaking surfaces, waste materials generate unpredictable marks, layered textures, and distinctive surface effects. The interaction between the physical properties of the materials and the printing techniques employed played a significant role in the construction of compositions and visual narratives, while also enabling diverse aesthetic outcomes in each application. The ex-libris works produced at the end of the workshop demonstrate the adaptability of waste materials to original printmaking processes and reveal the potential of experimental practices to facilitate unique, creative, and diverse artistic productions.
In conclusion, repurposed waste materials can be considered significant design components in experimental ex-libris production, as they enhance technical diversity, expand the possibilities of visual expression, and support original artistic production.
References
Adorno, T. W. (1997). Aesthetic theory (G. Adorno & R. Tiedemann, Eds.; R. Hullot-Kentor, Trans.). Minneapolis, MN: University of Minnesota Press. Erişim adresi: https://www.cur.ac.rw/mis/main/library/documents/book_file/digital-6476f482283b31.42010272.pdf
Benjamin, W. (1935/1969). The work of art in the age of mechanical reproduction. Erişim adresi: https://web.mit.edu/allanmc/www/benjamin.pdf
Elderfield, J. (1985). Kurt Schwitters. New York, NY: The Museum of Modern Art. Erişim adresi: https://assets.moma.org/documents/moma_catalogue_1846_300062433.pdf
Ellert, J. C. (1972). The Bauhaus and Black Mountain College. The Journal of General Education, 24(3), 144–152. Erişim adresi: https://scalar.usc.edu/works/havc-135b--german-art-1905-1945/media/9B_Ellert.pdf
Dewey, J. (1934). Art as experience. New York, NY: Minton, Balch & Company. Erişim adresi: https://archive.org/details/art-as-experience-dewey
Dur, B.İ.U. (2016). Metafor ve Ekslibris. EX-LIBRIST Uluslararası Ekslibris Dergisi. 3(5), 122-128.
Girgin, F. (2014). Çağdaş Sanatta, Sanatın Malzemesi Olarak Mekân. Akdeniz Sanat Dergisi, 7(13), 214-234.
Keş, Y. (2016). Ekslibrislerde Biçim, İçerik ve Estetik. EX-LIBRIST Uluslararası Ekslibris Dergisi. 3(5), 112-121.
Kırışoğlu, O. T. (2014). Ekslibrisin Üç Yönü: Bir Sanat Eseri, İşlevsel Bir Nesne, Bir Eğitim Konusu. EX-LIBRIST Uluslararası Ekslibris Dergisi. 1(1), 1-17.
Okur, G. (2013). İletişim Açısından Ekslibris. Sanat ve Tasarım Dergisi. 5(5), 40-49.
Pektaş, H. (2014). Türkiye’de Ekslibris. EX-LIBRIST Uluslararası Ekslibris Dergisi. 1(1), 1-9.
Pektaş, H. (2019). Görsel İletişim Tasarımı Olarak Ekslibris ve Dijital Dönüşümü. Etkileşim Dergisi. 4, 34-42.
Rice, J. A. (1937). Fundamentalism and the Higher Learning. Harper's Magazine, 174(1044), 591–596.
Ruth Asawa Estate. (n.d.). Black Mountain College. Ruth Asawa. Erişim adresi: https://ruthasawa.com/life/black-mountain-college/
Tomak, A., Güney, E. (2014). “Kültürel Bir Değer Olarak Hediye Geleneği ve Ekslibris”. EX-LIBRIST Uluslararası Ekslibris Dergisi. 1(2), 25-33.
Tunç, M. (2025). Günümüz Resim Sanatında Sanatçıların Malzeme Seçimleri Üzerine. Safran Kültür ve Turizm Araştırmaları Dergisi. 8(2), 267-278
Viscomi, J. (2003). Blake's invention of illuminated printing, 1788. Romantic Circles / Branch Collective. Erişim adresi: https://branchcollective.org/?ps_articles=joseph-viscomi-blakes-invention-of-illuminated-printing-1788&utm
Yaban, N. T. (2012). Sanat ve Görsel İletişimin Buluşma Noktası: Ekslibris. Batman Üniversitesi Yaşam Bilimleri Dergisi. 1(1). 973-984.
Yücel, B. (2019). Atık Malzemelerin Çağdaş Sanatta Yansımaları. İdil Dergisi. 65. 31-40.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2026 Atlas Journal

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.